Tuesday, January 28, 2014

One More Time


When I moved to New York City in July 2009, I had no idea how long I would be here. The time, seemingly,  has gone by in the blink of an eye. I have come to love New York and everything it has to offer, both good and not so good. This week, my husband and I are moving all of our belongings back to the Chicago suburbs, a world away in terms of lifestyle. I am looking forward to being close to my beautiful daughter and mother, the angels of my life, but I am leaving behind many aspects of my life that I have come to love. Last Friday, January 24, 2014, I prepared a farewell speech for Hunter Toastmasters, where I have been a member for over two years. Here it is in its entirety in written form, polished for this presentation. The content gets to the root of my feelings for this, my second home.




One More Time
________________________________________________________________

Time is running out and I have so much more I want to do! I’m moving to Chicago next week to be closer to family, so I put together a New York City “bucket” list.

I have already done of few of the activities on my list: last week I went to Pearl Art supply on Canal street, one more time, to climb the well-worn wooden stairs, as many artists, some of  them famous, before me have to peruse the voluminous choices of pastel and oil colors... and the variety of brands... Holbein, Old Holland and Sennelier... the best selection outside of Paris!

I visited the Morgan Library one more time to stand in the personal office of J. Pierpoint Morgan himself. Here, he undoubtedly smoked cigars while he played masters of the Universe with his Wall Street cronies. The room is the epitome of Gilded Age glory with luxurious red wall-coverings and mahogany encased walls.  The bookcases hold first edition copies of some of the most hallowed literature in all the world. Down the hall in his personal library, I viewed one of his copies of the original Gutenberg Bible. In another gallery, I saw drawings by Leonardo daVinci… the famous one of the angel’s face that he used for Virgin of the Rocks. Did you know it is only four inches square? 


Leonardo da Vinci, Head of a Young Woman (Study for the Angel in the ‘Virgin of the Rocks’), 1480s, metalpoint heightened with white on buff prepared paper. © Biblioteca Reale, Turin (15572 D.C.)


The Hispanic Society is a five-minute walk from my apartment, yet I had never been there in the
year I lived in Washington Heights. Entrance to one of the most prestigious collections of Spanish art outside of Spain and South America is free to the public. As I entered the heavy Spanish style doors,  The Duchess of Alba  was there to greet me. I would have thought I had to go all the way to Madrid and the Prado Museum to see this famous work by Goya, but there she was, just down the street
from me.

Duchess, would you like to have a cup of coffee with me at Taszo?

The duchess of Alba, 1797
Franciso de Goya y Lucientes (1746-1828)


After a fresh snowfall early last week, I decided to take my camera to visit The Cloisters just one more time. The grounds of Fort Tryon Park, the bluff where The Cloisters are located, was resplendent in white. I marveled again at Romanesque edifice, much of which was transported from France to occupy this high point in Manhattan. Seeing it in the winter time was truly a high point for me. Thank you, Mr. Rockefeller!

The Cloisters, Fort Tryon Park, New York

There are other things on my list that I probably won't get to do. I want to go to the Metropolitan Museum one more time… and the MoMA, and walk through the elegant and sumptuous halls of the Frick where, some say, Princess Diana stayed on her visits to the U.S.

I long to be dazzled by New York City Ballet or American Ballet Theater and see the snowflake crystal chandeliers ascend before the opea at Lincoln Center… just one more time. And step into the bedroom at Washington’s Revolutionary War Headquarters, where George actually DID sleep, only a few blocks from my apartment.

New York City Ballet... dazzling!


These are some of the highlights available in New York that make it such a magical place. My home in sleepy Bartlett, IL can’t compare, although a short drive away is one of the largest Hindu temples in North America; fifteen minutes away is a restaurant called “Al Capone’s Hideout”, where he really did hide out, and only forty-five minutes away, barbed wire was invented in Dekalb.

But, the real New York experience that I will miss the most can not be planned on a bucket list. These experiences are random and unexpected. Everyone who lives here knows this. Trips to museums and historic places can’t recreate the real New York ExperienceHere are some examples of some the very real New York Experiences I have had here:

Eating a delectable cupcake with cream cheese frosting at Billy’s Bakery, which is designed with the look of a 1940's kitchen, a short walk from the New York Academy of Art in lower Manhattan where I studied oil painting and anatomy for artists with Peter Cox (see his work at http://www.petercox.us/).

  
Yum Yum... Billy's Bakery


Exploring the beach at Rockaway with my camera where I lived for nearly two years before the hurricane and watching the surfers...even in January.

Experiencing a hurricane and coming back to the Rockaways to provide a “healing through art” program for residents affected by the storm.

Or, the strange confluence of energies unique to New York, which bring together unlikely circumstances, like:

·        Sitting on a bus listening to a concert of Israeli music on the iPhone of an Hispanic woman sitting behind me while cruising past the George Washington Bridge, all lit up at night in twinkling splendor! She apologized to me, and when I assured it that I was enjoying it very much, she leaned in and showed me the screen, so I might enjoy it even more.

·        Or, finding myself at a performance of Mozart’s Magic Flute in Arabic on the day of Egypt’s revolution, with my new friend who grew up in Cairo.

      Being a part of the tenth anniversary mass for FDNY heroes who lost their lives at 911 at 
      St. Patrick's Cathedral. Admittance was very restricted, and I was overcome listening to the children who lost their fathers speak, and hearing the powerful voice of a member of the FDNY chorus who sang for the families and friends. I didn't belong there, yet, there I was...very humbled by the experience.

       Shaking hands with Cardinal Dolan on Easter Sunday. He admonished me by saying, "Never wear a hat prettier than mine."

 And last but not least, witnessing Lindsay Lohan cuss out a pizza delivery man in Soho.

My bucket list also includes spending time with people who have enhanced life over the past four years:

·        Taking one more class with Linda, a former Broadway dancer, who is 70, yet has the body and energy level of a much younger woman. She taps like she is 20 and she helped me get my strength back.
·      
·         Seeing the faces of my high school students, at times exasperating, yet beloved, realize that they can do something artistically they didn't think possible...one more time.

·         Spending time with my colleagues at The Beekman School, and the artists of the collaborative project  I’m involved in.

Most of all, I am especially savoring this experience of being here with all of you tonight at Hunter Toastmasters and the many good friends I have made among you. In the nearly two years I’ve been coming, I became more confident and creative in my writing and speaking abilities. I have been entertained and excellence has been modeled. If I only had just one more time

Thursday, November 21, 2013

TokoNoMAA at Taszo

The artists of the Northern Manhattan Arts Alliance brought their “TokoNoMAA” collaborative exhibition to Taszo Espresso Bar last evening. The comfortable and trendy Washington Heights coffee house was host to a celebration with complimentary wine and refreshments. The work was originally curated by G. Romero and is a NoMAA-MoMA interdisciplinary project.


This exhibition showcases the talents of Yael Ben-Zion, Daya De La Rosa, Ferlaisa Gomez, Denise Laurin-Donatelle, Rafaela Luna, Joiri Minaya, Tamara Rose, and Gesche Würfel with an installation based on the concept of the “tokonoma”, the focal point of the Japanese home. Here, a simple but beautiful object is placed for contemplation. The installation features scrolls, that tell the stories of what “home” means in Washington Heights. Artists interpreted the following themes in their visual expression: Physical Home: Architecture, GW Bridge and Parks, Spiritual Home: Sacred Spaces and Universal Home: Cultural Diversity. Media include sculpture, textiles, traditional drawing and digital art, photography, recycled media, and found objects.

The show is on from November 20-December 20, 2013. Be sure to come in to see it and have a cup of real coffee! Taszo Espresso Bar, 5 Edward M. Morgan Place, around the corner from the Southbound 1 train at 157th and Broadway. http://www.taszo.com/.

Tamara Rose, artist of the "Mousetrap" scroll and collaborator on "Yemeya" greets Emmet and his grandfather. Emmet folded the paper airline that compliments the group scroll.

Patrons  relax at Taszo Espresso Bar. Four scrolls from the show can be seen above them.



From left: "Yemaya" by Denise Laurin-Donatelle and Tamara Rose.

From left to right: Denise Laurin-Donatelle, a regular at Taszo, Margo, Tamara Rose and Daya De La Rosa toast to a successful opening.

Haitem, owner of Taszo Espresso Bar,  enjoys some refreshments.


Marc Donatelle, Joanna Castro and Tamara Rose enjoy the opening reception.

Tamara Rose admires the artwork of blossoming artist, Luna.

Yael Ben-Zion describes the scroll she did with fellow photographer, Gesche Würfel, to a guest of the opening reception.


"Physical Home“ a traditional Japanese scroll by Denise Laurin-Donatelle.



Saturday, October 19, 2013

Feeling Sheepish...Lalanne's Sheep at Getty Station


“Sheep Station” featuring the work of the late artist, Francois-Xavier Lalanne
Photo by Denise Laurin-Donatelle ©2013




Now there's something you don't see every day, Chauncey...

Together with a friend of mine,  I enjoyed a day of exploration in Chelsea’s vibrant gallery district yesterday. We visited many galleries, and viewed a plethora of work, but the exhibit that stands out as an exceptional, memorable experience was by far, “Sheep Station” with sculptures by  Francois-Xavier Lalanne.

We had ended our outing, and were walking east toward the Subway on 23rd Street, when we passed what is ordinarily a common sight in an urban setting, a gas station. But what's this? Why is the pavement covered with a fresh covering of sod? And what are all of those sheep doing there? We did a double take!

So much of contemporary art has an entertainment quality, and this installation was not short in that department. Standing on the periphery of the installation was an elegant young man, all in black, with a mane of black hair neatly tied into a braid that stretched to his lower back. He was the key to what was going on, as he possessed handouts containing a description. The description states, “Set in a Surrealist landscape amidst the existing industrial gas station architecture, the sheep symbolize Lalanne’s mission to demystify art and capture its joie de vivre.” This translates from the French as joy of life, however, I see it as a great sense of humor and paradox.

Billionaire developer Michael Shvo in conjunction with the Paul Kasmin Gallery sponsored the event which is only on view from October 18 to the October 20, prompting the conscious side of my brain to ask, “How many children could have been fed with the money it took to organize this?” This is a great question to ponder, however, a world without art is equally bleak to consider, so I applaud the display for the feeling of wonder and amusement it awakens. Is it wrong to want to feed the children and allow art to flourish?

 Don't miss seeing it if you can! Getty Station is located at 239 Tenth Avenue. http://gettystation.com/. “Sheep Station” is the inaugural exhibition for this site.


A view of the installation as it relates to a billboard in the background.
Note the guy cutting the grass with a lawnower on the left. Photo by Denise Laurin-Donatelle ©2013



Looking from the corner of property, rolling hills of fresh sod can be seen.
In the background, a landscaper keeps the grass watered. Photo by Denise Laurin-Donatelle ©2013



Other Highlights of the Chelsea Gallery District

The PACE Gallery at 534 West 25th Street featured Zhang Huan. Walking into this gallery, the visitor gets a feeling of expansiveness as the gallery is large and light filled. The oversized works of Zhang Huan are well-accommodated here. He is a master of many different art forms, but this time he chooses oil on linen to present his vision of Tibetan death skulls. From a distance, the work looks non-representational. Taking a closer look reveals literally hundreds of these skulls in each of the paintings. He has experimented with color from complementary arrangements to neutral harmonies. This is truly fascinating stuff! http://www.pacegallery.com/artists/527/zhang-huan

Yoko Ono has one of her ubiquitous “Wish Trees” set up at a gallery (forgive me, I did not note the name) at the corner of 11th and 23rd Street.



I just missed the exhibition at Gallery Henoch of Sharon Sprung’s work, but I was delighted to see one canvas on display by this extraordinary figurative painter. Lord, let me die and come back able to paint like her and her former student, David Kassan, another artist represented by Gallery Henoch.


Nocturnal Terrain, Oil/Panel, 36 x 50 inches

Sharon Sprung 
Nocturnal Terrain,
Oil on Panel, 36" x 50" 
 
"Gallery Henoch - Sharon Sprung - Artwork Page 1." Gallery Henoch - Sharon Sprung - Artwork Page 1. N.p., n.d. Web. 19 Oct. 2013. <http://www.galleryhenoch.com/artists/sprung/sprung.html>. 
 


CLOSE WINDOW


 








Tuesday, July 16, 2013

Sargent Watercolors and Other Amazing Surprises at The Brooklyn Museum



When I heard there was to be an exhibit of watercolors by John Singer Sargent at the Brooklyn museum, I immediately put it on my calendar and made arrangements with a friend to go and see them. I always find Sargent's work inspiring, especially his luscious technique in oil. I wasn't sure whether the watercolors would move me as much as a visit with Madame X or the Wyndham Sisters at the Met.

They did not disappoint.

Somehow, he managed to suffuse the same sensuous approach that he has with oils into his watercolors. His supreme draftsmanship is even more apparent in this medium. I felt inspired. The most important reason to see this exhibition especially if you are a Sargent fan, is to see a large body of his work never before assimilated in one place. The Brooklyn Museum and the Museum of Fine Arts, Boston collaborated on this exhibition.

The exhibition runs through July 28. See the Brooklyn Museum of Art website for more information:  http://www.brooklynmuseum.org/exhibitions/sargent_watercolors/

Here are two of my favorite works:



John Singer Sargent
Bedouins, 1905-6
 Opaque and translucent watercolor
Brooklyn Museum, Special Subscription 09.814
Photo by Denise Laurin-Donatelle

Sargent considered this work to be the keynote of his Bedouin watercolors.

What I like best about this painting is how Sargent captures the intense stare of the Bedouin. Although he is an American Realist, the exotic subject is intoxicating! The detail is refined in the face and the artist contrasts this with blurred, undefined strokes at the bottom. Here Sargent captured the effects of the brilliant midday sun so successfully, we can feel the sun's glare in our own eyes.





John Singer Sargent
The Cashmere Shawl, about 1911

Translucent watercolor and touches of opaque watercolor and wax resist
with graphite underdrawing.
Museum of Fine Arts Boston

The subject of this painting is his adored niece, Rose-Marie Ormond. The movement in this watercolor stands out to me. I imagine her as being lively and fun by the way Sargent has added sparkles of white paint around her. The pattern of the fabric leads us up to her pretty face in a zig-zag that culminates in her bonnet. Very fresh and very alive!


If the Sargents were not a big enough treat, there was another amazing exhibition going on concurrently: Gravity and Grace: Monumental Works by El Anatsui. Dear, Mr. Sargent, please do not feel jealous. Your work is wonderful, and I loved it and was inspired by it, but this...THIS!!!! Covering a huge area of the museum, these abstract/non-representational works hung on the walls and sprawled across the floor in testimony to how inventive artists can be. Using materials that are largely considered garbage...bottle caps, metal can covers,  old newspapers, Anatsui and his assistants spin gorgeous oversized metal "tapestries" and sculptures. The exhibit reminded me of a visit to the Bayeux Tapestry Museum in France. It's a stretch comparing work made with bottle caps and labels from booze to medieval tapestries, however, Anatsui's work is monumental in scale, and illusionistic in its richness.  Standing up close to the work, the intricate detail and workmanship astounds. He has transformed garbage into glittering gold. 

Until I arrived in New York City, I was not interested in making art with repurposed materials. Afterall, I love handmade Japanese paper, gold leaf, and other $$$ materials. My recent experience doing a collaborative exhibition with the Northern Manhattan Artists Alliance introduced me to the concept. Seeing the work of Anatsui, I am sold. For more information, go to: Anatsui

Here are some highlights:






El Anatsui,  Drainpipe, 2010, tin, copper and wire



El Anatsui, Detail, Drainpipe


El Anatsui (Ghanaian, b. 1944). Earth’s Skin, 2007. Aluminum and copper wire, 177 x 394 in. (449.6 x 1000.8 cm). Courtesy of Guggenheim Abu Dhabi

I did not get the title for this one. I include it here because the construction
is so graceful and the combination of red, green, gold and silver makes a glittering effect.

.
All photos ©Denise Laurin-Donatelle.







Saturday, March 30, 2013

Healing Through Art

On March 10th and today, March 30, I participated in the Rockaway Artists' Alliance Healing Through Art" endeavor on the Rockaway Peninsula. This event is to foster healing through music, the visual arts and literary arts for survivors of Hurricane Sandy. Today's event occurred in the MoMA Dome at 94th and Shore Front Parkway between 11:00 a.m. and 2:00 p.m. The pictures I've included here provide a gallery of the day's highlights. For both events, I have sponsored a narrative scroll for people to write their stories of loss and recovery of home. The scroll is made on Japanese handmade mulberry paper. I've created fancy dowels to roll up the horizontal scroll and even made a silk covering to store it in. I hope to gather many stories of loss and recovery of home, and provide a medium for healing.



Conga drum!
The Healing through Art Scroll
Ra, a Rockaway Peninsula artist, adds his images to the scroll.
I love this quote!


This artist was as talented in caricature drawing as he was in writing poetry!


Refreshment counter decoration.



A talented mini artist at work!


The MoMA Dome at 94th and Shore Front Parkway


Lovely songstress Jennifer playing guitar.

Basket making technique.


A drawing done at the scroll table.

Elegant artist at work.

Rockaway children enjoying the day.

Thank you, MoMA and RAA!

An impressive guy-braid.

My new friend Ra at work on the scroll.